【勇担国际传播使命讲好中国故事】——王孝诚

提升国际传播能力建设也就是在国际上以中国特色社会主义话语体系讲述中国故事、传播中国声音、展示中国形象，并在中国—时代—世界的多维视域中做立体式的话语表达与文化传播。推动中国特色社会主义文化国际传播，可为世界人民谋和平、谋发展、谋幸福提供源源不断的精神动力，为全世界贡献中国智慧、提出中国方案。国际传播能力建设是新时代中国特色社会主义思想的重要组成部分，是意义重大、影响深远的系统工程。为了提升新时代文化国际传播能力，我们亟须聚焦时代要求、彰显中国特色、拓展传播载体、展现世界意义，更好地使中国特色社会主义文化走向世界、融入世界，并引领世界在新时代的新征程上阔步向前。

To improve the construction of international communication capacity is to tell Chinese stories, spread Chinese voice and display Chinese image in the international discourse system of socialism with Chinese characteristics, and do three-dimensional discourse expression and cultural communication in the multi-dimensional perspective of China, the times and the world. Promoting the international dissemination of socialist culture with Chinese characteristics can provide a steady stream of spiritual power for the people of the world to seek peace, development and happiness, contribute Chinese wisdom and put forward Chinese plans for the world. The construction of international communication capacity is an important part of the thought of socialism with Chinese characteristics in the new era. It is a systematic project of great significance and far-reaching influence. In order to improve the international communication ability of culture in the new era, it is urgent for us to on the requirements of the times, highlight Chinese characteristics, expand communication carriers and show world significance, so as to better make the socialist culture with Chinese characteristics go to the world and integrate into the world, and lead the world to stride forward on the new journey of the new era.

王孝诚，字一山，斋号亦然舍。中国工艺美术大师、国画家、世界华人艺术家协会理事、世界文化艺术研究中心研究员、中国民间艺术家协会内画艺术委员会副主任、中国工艺美术学会会员、山东书法家协会会员、山东工艺美术协会内画专业委员会主任，山东工艺美院兼职教授、青岛大学美术学院兼职教授。

Wang Xiaocheng, the word Yishan, Zhai is also a house. Master of Chinese arts and crafts, Chinese painter, director of World Chinese Artists Association, researcher of world culture and art research center, deputy director of interior painting art committee of China Folk Artists Association, member of China Arts and Crafts Society, member of Shandong Calligrapher Association, director of interior painting professional committee of Shandong Arts and crafts Association, part-time professor of Shandong Academy of Arts and crafts Adjunct professor, School of fine arts, Qingdao University.

开元豪，四尺斗方

1945年生于博山，1958年经考试进入博山美术琉璃厂内画组跟张文堂、薛京万老艺人学习内画。1975年调干就学，毕业于浙江美术学院。

1961年改革百年相传的内画竹画笔为内画狼毫笔, 为中国内画发展作出了巨大贡献。1971年首创《水浒一百单八将》特细内画画面, 在广交会引起轰动。

Born in Boshan in 1945, he entered the inner painting group of Boshan art Liulichang after examination in 1958 and studied inner painting with old artists Zhang Wentang and Xue jingwan. He was transferred to school in 1975 and graduated from Zhejiang Academy of fine arts.

The bamboo brush for interior painting, which has been handed down for a hundred years since the reform in 1961, is a wolf hair brush for interior painting, which has made great contributions to the development of Chinese interior painting. In 1971, he first created the super fine interior painting of "one hundred single Eight Generals of the Water Margin", which caused a sensation in the Canton Fair.

好雨知时节，润物细无声，四尺斗方

在浙美求学期间深得吴弗之、陆抑非、王伯敏等先生的赏识。国画作品多次获省市优秀创作奖。所创作的《和谐归》、《醉梅林》获首届世界华人艺术展佳作奖和第六界世界华人艺术大展国际优秀奖。曾与他人合作举办八人书画展、黄山写生展和个人中国画作品展。1991年赴日举办个人艺术作品展。

作品与业绩曾被《中国艺术界名人录》、《中国工艺美术名人艺术大辞典》、《中华翰墨名家作品博览》、《世界华人艺术精品典藏》、《中国书画艺术作品集》、《中国当代书画家翰墨精品集》、《走近当代大师》等收录。

人民日报出版社曾编辑出版个人国画集。2004和2005年所创作的内画作品《兰亭契吟图》和《赏花大观园》禅联第五届、第六届中国工艺美术大师作品及工艺美术精品博览会金奖。内画作品《想望》被中国国家博物馆收藏，成为建国以来馆藏内画第一人。2007和2008年第八届、第九届中国工艺美术大师作品及中国工艺美术精品博览会评委、第六届中国工艺美术大师评委。

画家的最高境界是什么？当然就是著名画家王孝诚的师法自然的修养境界。他画松柳成趣雅，画山水制奇韵，一支画笔构骨而立质，没骨成精彩，在长年的丹青艺术修炼进程中，王孝诚已经得自然之涵养，达到了笔墨心通，一气呵成精彩的丹青水准。王孝诚的丹青视野非常广泛，于自然之境随撷一物，皆可入画框而成定格精品。其中又极善画多枝植物和肥叶塘荷，也极善文人山水构绘。他用坚实的工艺美术功底，合成自己丰富的写生积淀，绘制丹青，艺术美与装饰美通成一体，自成一派，打上了非常个性化的艺术标签，有新派开宗的丹青造诣。

During his study in zhemei, he was deeply appreciated by Mr. Wu Fuzhi, Lu Yifei, Wang Bomin, etc. Chinese painting works have won provincial and municipal excellent creation awards for many times. His "return to harmony" and "drunk Merlin" won the excellent work award of the first World Chinese art exhibition and the international excellence award of the sixth World Chinese art exhibition. He has cooperated with others to hold eight person calligraphy and painting exhibition, Huangshan sketch exhibition and personal Chinese painting exhibition. In 1991, he went to Japan to hold a personal art exhibition.

His works and achievements have been included in the list of celebrities in Chinese art circles, the dictionary of Chinese arts and crafts celebrities, the exhibition of works of Chinese calligraphy masters, the collection of World Chinese art works, the collection of Chinese calligraphy and painting works, the collection of calligraphy and painting works of Chinese contemporary calligraphers and painters, approaching contemporary masters, etc.

People's Daily Publishing House has edited and published his own collection of traditional Chinese paintings. The gold medal of the 5th and 6th China Arts and Crafts Master works and arts and crafts boutique Expo of the Zen Federation of the inner painting works "Orchid Pavilion Qiyin picture" and "flower appreciation Grand View Garden" created in 2004 and 2005. The interior painting "wish" was collected by the National Museum of China and became the first person in the collection of interior painting since the founding of the people's Republic of China. Judges of the 8th and 9th China Arts and crafts masters' works and China Arts and crafts boutique Expo in 2007 and 2008, and judges of the 6th China Arts and crafts masters.

What is the highest state of a painter? Of course, it is the cultivation realm of learning from nature by the famous painter Wang Xiaocheng. His paintings of pines and willows become interesting and elegant, and his paintings of mountains and rivers make strange rhymes. A brush constructs bones and stands quality, and no bones become wonderful. In the long process of painting art cultivation, Wang Xiaocheng has been naturally cultivated, reaching the level of pen and ink heart communication and wonderful painting at one go. Wang Xiaocheng's painting has a wide range of vision. He can capture one object in the natural environment, which can be put into the picture frame to form a freeze frame boutique. Among them, he is also very good at painting MULTI BRANCHED plants and fat leaf pond lotus, as well as literati landscape painting. With a solid foundation in Arts and crafts, he synthesized his rich accumulation of sketching and painted Danqing. The artistic beauty and decorative beauty are integrated into one, forming a school of his own. He has a very personalized artistic label and has the attainments of Danqing, the founder of the new school.

民族魂，四尺竖整幅

王孝诚绘画，善施精至繁笔，意境舒阔，笔法却相当致密。看绘画品质，首看笔法之工，大师齐白石、李可染、关山月，虽然皆是写意大师，但是写意的另一面却是精工巨匠。特别是齐白石工笔小蝉，谓之绝技。王孝诚山水和植绘作品，亦显繁笔精工，造型精确，质成活性，他的丹青笔法一是不自欺，二是不欺人，三是不欺世，一路传承大师明示，趋成大师新功，可谓是朝起而学，暮研不止，笔耕无辍，笔技如痴。

王孝诚植物绘品，不取一枝一叶，不畏繁杂，取大而全，有整体构制，成大统境界，所以可以通过他的一幅作品整观春秋，而不是一枝一叶的单薄与乏味。别人制一幅画，眨眼可成，虚功太多的原因。王孝诚绘一幅作品，数月精工，实功历历，一目了然，所以他的绘画作品通常是枝、叶、干，天、地、气的所有，不是单音符，而是合奏曲。情动人，景宜人，仰而一观，十分悦目，相当动心。他的植绘作品，皆可成画谱之功。照王孝诚植绘作品修丹青，事半功倍，佳绩可成。功高为师，造诣可敬。

他的山水，不酬酢无俗质，在师传统复古韵的前提下，又绝不独落前技巢臼，山水创作时能破旧范出新奇，是丹青紧随时代，破求得新意的典范。他画山水，不闭门造车，而是亲历山水，有收尽奇峰打草稿的写生积淀，所以山水之姿，在他的画面里仍旧是自然真味。

山水之功，源成自然，再加上他善用皴笔点染，远点近皴，巧妙顾映，万般调整，一幅山水，必得意象神采，借助纯熟的技法，抒发豪迈情怀就如顺水顺风驾轻舟，快意到达，极致入神。

同样，依扎实的工艺思谋，他的山水作品也尽得精工质成。落墨行笔，如踏薄冰，小心谨慎，不让一处有疏忽，不留一处有漏洞。大胆驱墨向前，细心收拾随后，敢于造险再平险，一丝不苟，精益求精，造就了他的山水近看可观笔墨，远赏涌现气势的高端品味，独有结实大气，层次分明，张力十足，墨万化的山水质韵，令人回味无穷，久观不厌。

师法自然意境精彩，丹青技熟实力一派。王孝诚绘画，立意清新，笔法精致，墨随时代，技无影画有言，点、线、面、水、墨、彩，六样简单却被王孝诚调度成千变万化，深刻体现了他作为一名画家的技熟力度。大家必依实力，王孝诚绩铸实力，修成大家风范，令人赞叹。

著名书画评论家　刘振华　２０１８年６月１5日

Wang Xiaocheng is good at painting. He is good at using fine and complex strokes. His artistic conception is broad, but his strokes are quite dense. Looking at the quality of painting, the first thing to look at is the craftsmanship of brushwork. Although Qi Baishi, Li Keran and Guan Shanyue are all freehand masters, the other side of freehand brushwork is a master of Seiko. In particular, Qi Baishi's meticulous small cicada is called a unique skill. Wang Xiaocheng's landscape and plant painting works also show numerous and exquisite strokes, accurate modeling and active quality. His Danqing brushwork is not self deceptive, not deceptive, and not deceptive to the world. He inherits the master's express all the way and tends to become the master's new skills. It can be said that he learns from the morning, studies more and more in the evening, does not stop writing, and his brushwork is crazy.

Wang Xiaocheng's plant paintings do not take one branch and one leaf, are not afraid of complexity, take large and complete, have an overall structure, and form a unified realm. Therefore, we can view the spring and Autumn period through one of his works, rather than the thin and boring of one branch and one leaf. If someone makes a painting, it can be done in the blink of an eye. There are too many reasons for virtual work. Wang Xiaocheng painted a work, which was exquisite for several months, and his actual achievements were clear at a glance. Therefore, his paintings are usually all branches, leaves, stems, heaven, earth and Qi, not a single note, but an ensemble. The feeling is moving and the scenery is pleasant. Looking up, it is very pleasing to the eyes and very moving. All his planting and painting works can be made into painting scores. According to Wang Xiaocheng's painting works, you can get twice the result with half the effort. He is a teacher with high achievements and respectable attainments.

His landscape is not friendly and vulgar. On the premise of traditional retro rhyme, he never falls behind the technical nest mortar alone. His landscape creation can be worn and novel. It is a model for Danqing to follow the times and seek new ideas. He did not paint landscapes behind closed doors, but experienced them personally. He had a sketch accumulation of collecting all the strange peaks and drafts. Therefore, the posture of mountains and rivers was still natural in his picture.

The skill of mountains and rivers comes from nature. In addition, he is good at using Cun pen to dye, far and near Cun, skillfully take care of reflection and adjust in all ways. A picture of mountains and rivers must have an image and look. With the help of skilled techniques, he expresses his heroic feelings, just like riding a boat with the water and the wind, reaching it happily and reaching the ultimate ecstasy.

Similarly, his landscape works are also refined with solid craftsmanship. Ink strokes, such as stepping on thin ice, should be careful not to let one place have negligence and leave no loopholes. He boldly drives the ink forward, carefully cleans up and then dares to make risks and then flatten the risks. He is meticulous and keeps improving, which has created his landscape. He can see considerable pen and ink near and appreciate the high-end taste of emerging momentum far away. He has a unique strong atmosphere, clear layers and full tension. The landscape quality charm of ink is memorable and never tire of looking at it for a long time.

Learn from nature, have wonderful artistic conception, be familiar with Danqing technology, and have great strength. Wang Xiaocheng's painting has a fresh intention and exquisite brushwork. The ink has no shadow with the times. There are words in painting. Six simple points, lines, surfaces, water, ink and colors are regulated by Wang Xiaocheng, which deeply reflects his technical proficiency as a painter. We must build strength according to the achievements of Wang Xiaocheng, and cultivate a great family style, which is amazing.

Famous painting and calligraphy critic Liu Zhenhua June 15, 2018